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If one places an abstract composition - which is simply a fragmentary purification of the former object - in (or alongside) a figurative structure, this second composition digests the first one - transformed into a decorative motif - and then the whole work becomes figurative.
However if one places a letterist notation on (or beside) a realist "form," it is the first one which assimilates the second to change the whole thing into a work of hypergraphics or super-writing."

Isidore Isou, The Force Fields of Letterist Painting